Below is a list of various production positions I have held on different films. These films range from feature length to shorts, and required varying levels of involvement. For additional information, click on the work's title or director to be brought to either an IMBD page or other outside website.
Dir. Ryan Eatherton & Lei Zhenchuan
Barren trees (2017)
Best Boy Grip
Shooting for 3 continuous weeks in various locations around Northern Massachusetts, Barren Trees is to date the longest project I have been a part of. I served as best Boy Grip, loading, unloading and organizing our 3 tonne box truck. Equipment included two 5,000 watt generators, 4K & 2K HMIs, and a slew of different tungsten fixtures, from zip lights to lekos.
Watch on Amazon Prime Instant Video here
Dir. Katya Kaminsky
Our Park bench (2018)
Director of Photography
Colorist
Our Park Bench is a short film that explores the relationship between a father and a daughter, and their inevitable progression through life. Showcased in their favorite place: 'their' park bench.
Shot using a Sony A7sII at 70mm focal length.
Dir. Achinoam Ari Morell
editing propaganda (2018)
Director of Photography
For Editing Propaganda I served as director of photography for the interviews. These interviews were shot using 2 Sony FS5s in a dual camera setup for a wide and close up profile of the subjects.
Over a period of three months of on and off production, the BA capstone film shot in Boston College and Emerson College.
The doccumentary film focuses on the ways in which editing manipulates and persuades the viewers of its content to think a particular way.
A release date has not been set, but the film will be submitted to festivals in the coming months.
Dir. Will Dziuk
jackrabbit (2018)
Grip
Production Driver
Shot over a period of 7 days in the sand dunes of Cape Cod, Jackrabbit follows a fugitive of the law as he is hunted through the desert by a determined officer of the law.
As Grip, I oversaw the transport of equipment into the sand dunes set-up of 2K HMIs, 2K tungsten fixtures, and Fiilex Q1000.
As Production Driver (out of necessity) I transported the small production crew to food pick-ups, as cars with available drivers were in short supply.
Dir. George Monard
Downbeat (2016)
1st Assistant Camera
One of the first films I worked on. Downbeat follows an aging jazz musician as he struggles with life in the modern world.
My position as 1st Assistant Camera involved operating the Sony F5 camera, Baretch wireless follow focus, a Paralinx Ace & Atomos Shogun combo as well as performing lens changes.
Downbeat was an official selection at the 2017 Massachusetts Independent Film Festival.
Goodbye yellow brick road (2018)
Director of Photography
A music video set to the Sara Bareilles cover of Elton John's "Goodbye Yellow Brick Road."
This piece was shot using a Sony A7sII for the stage shots & Sony FS5 for the bedroom. A glidecam and cineslider were used for some shots.